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16

The Talmud (Arachin 3b) informs us that the Kohanim were exempt from wearing the Tefillah shel Yad while servicing in the Temple because it would constitute a separation between the priestly garments and the skin. The Tefillah shel Rosh could still be worn, and the priestly garments on the head were worn in such a way as to leave room in the front for the ...


9

Even if the threads are fairly fine (and we don't know if they were), two colors plied together still looks like two colors, not the combined color. Thread is not like paint. Now even if at the usual viewing distance most people would see it as the combined color, it would not look that way close up, like to the kohein wearing the garment or tending to the ...


8

R' Hirsch (e.g. in the long comment at the end of Ex. 25:1-8) takes the four types of thread used in Mishkan construction to represent four basic aspects of life that we humans need to strive to perfect within ourselves and unify in the service of God: Linen, from the flax plant = Vegetative - consumption and reproduction Wool died red with worm blood = ...


4

Ibn Ezra (Shemot 28:6 Peirush Aroch) suggests that someone who was familiar with asking through the Urim VeTumim would be capable of getting answers on occasion from the Ephod. (I think he is referring to the two stones on the shoulders that clipped to the Choshen, but I'm not sure.) Thus David used the Ephod (which we know he had, per 23:6) and Shaul used ...


3

From Wikipedia here: The priestly sash or girdle (Hebrew avnet אַבְנֵט) was part of the ritual garments worn by the Jewish and priests of ancient Israel whenever they served in the Tabernacle or the Temple in Jerusalem. The "sash" or "girdle" worn by the High Priest was of fine linen with "embroidered work" in blue, purple and scarlet (Exodus 28:39, 39:29); ...


3

We have not had the Urim Vetumim (the insert with the name of Hashem put into the Choshen) since the end of the first temple. The Choshen (with the stones) was commanded as part of the Bigdei Kehunah (priestly garments), so the high priest wore one without the insert during the second temple. Since we do not have a temple (yet) we cannot have anyone wear the ...


3

Radak (Y'sha'ya 28:4) comments that ציץ is the masculine form and ציצית is the feminine form: נזכר בלשון זכר ציץ ובלשון נקבה ציצית The Zohar (Sh'lach 174b) likewise notes this. The Zohar understands this connection as representing a kabbalistic dichotomy where ציצית represents the feminine aspects of Creation and the physical world while the ציץ ...


3

The strings where mixed not just to get the desired color. Each detail in mishkan has its deep meaning about how G-d rules our world and so on. It's like asking: "Why we take 3 hadasim on Sukkos, one is already green enough?".


2

See translation Verse 4: Greenish-blue [wool], dark red [wool], crimson [wool], fine linen, and goats [hair].


2

In answer to the question of "how", here is some explanation The אוּרִים ותוּמִים [sic], Urim V’tumim, served as a means of communicating with G-d. Rashi states, in Yomah 73b, that the High Priest could ask questions of G-d through the אוּרִים ותוּמִים [sic], and the letters that were etched in the stones would light up, providing answers to the ...


1

The historical elision of a vowel preceding ד could explain the absence of a dagesh qal within it. Similar phenomena are seen in words like בִּנְפֹל and מַלְכֵי. The latter probably was pronounced like malak̲e at some point, since the absolute plural form מְלָכִים has an a vowel before k̲. See, for instance, p. 40 from Greenstein's "An Introduction to the ...


1

There are minor pieces subject to tearing (like the techeles strands of the tzitz and the ephod), but those are easily replaced and aren't intrinsic to the remainder of the beged. Most of the other begadim of the Kohen Gadol contain metal strands or are actually made of metal, making them difficult to "tear" - you would have to cut them. The other begadim ...



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