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14

The Talmud (Arachin 3b) informs us that the Kohanim were exempt from wearing the Tefillah shel Yad while servicing in the Temple because it would constitute a separation between the priestly garments and the skin. The Tefillah shel Rosh could still be worn, and the priestly garments on the head were worn in such a way as to leave room in the front for the ...


8

Even if the threads are fairly fine (and we don't know if they were), two colors plied together still looks like two colors, not the combined color. Thread is not like paint. Now even if at the usual viewing distance most people would see it as the combined color, it would not look that way close up, like to the kohein wearing the garment or tending to the ...


8

R' Hirsch (e.g. in the long comment at the end of Ex. 25:1-8) takes the four types of thread used in Mishkan construction to represent four basic aspects of life that we humans need to strive to perfect within ourselves and unify in the service of God: Linen, from the flax plant = Vegetative - consumption and reproduction Wool died red with worm blood = ...


4

Ibn Ezra (Shemot 28:6 Peirush Aroch) suggests that someone who was familiar with asking through the Urim VeTumim would be capable of getting answers on occasion from the Ephod. (I think he is referring to the two stones on the shoulders that clipped to the Choshen, but I'm not sure.) Thus David used the Ephod (which we know he had, per 23:6) and Shaul used ...


3

The strings where mixed not just to get the desired color. Each detail in mishkan has its deep meaning about how G-d rules our world and so on. It's like asking: "Why we take 3 hadasim on Sukkos, one is already green enough?".


2

See translation Verse 4: Greenish-blue [wool], dark red [wool], crimson [wool], fine linen, and goats [hair].



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