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4

Machon Mishmeret Stam published a book on Mishnat Sofrim with a commentary. In an appendix, they deal with this exact issue: (I couldn't find an online version...sorry) Based on this text, I can answer your questions: Why did the Chofetz Chaim effectively seek to passul nearly all existing sifrei sta"m of his day? Why wasn't the existing פ ...


1

See the introduction to the Jerusalem Bible by Koren Publishers. They go to great lengths to explain how they crafted a font so as to solve the issue you raise: they differentiate between the Cholem and the Shin/Sin dots by height and weight so that you can see both - and not confuse them. So, as DoubleAA already commented, what you are referring to is ...


1

I don't see any connection between the broken פ that looks like 2 letters sitting one on another - and the פ you show in the Tikkun, the Mishnat Sofrim and the Chabad sites, which are not neatly curved (like modern script) but the letter has a clear - albeit crooked/curvy - continuum. Point being, that there are 3 פ's - and not 2, as you claim: The פ ...


5

The מהר'ל in תיפארת ישראל , chapter 63 explains in length that these ketarim are actually secrets and deep ideas, related to concepts foreign to the materialistic perspective of the world. דע כי יש כתרים ותגין על אותיות התורה, שכשם שגוף התיבות מורים על דברי תורה עצמם, כך התגין שהם על האותיות שבתורה מורים על השגות דקות מאוד מאוד יוצאים מן התורה עצמה, ...


-2

Assuming the writing in the painting is Ketav 'Ivri, which I humbly propose is quite clear, the incorrect letter in the painting is the final one. The verse in Daniel ends with the word "ופרסין" ("ufarsin"), spelled with a final Nun ("Nun Sofit") to indicate a plural noun. The Nun Sofit, in Ketav 'Ivri, should resemble the rightmost letter in the following ...


2

To summarize from Yishai's answer, the Talmud says there was something funny about the way it was written; "in columns" is one possible interpretation. Assuming Manasseh ben Israel gave Rembrandt a sketch of what the letters should look like, I'd find it far more likely that Rembrandt was faithful to the sketch he was given (i.e. it was in columns) than that ...



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