Hi I'm looking for different traditions (and sources!) about how to properly sing these very rare trop found in the Torah exclusively in Bamidbar 35:5 Does anyone have any idea which version is better / closer to the original?
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This is the ways Sefer Hanigunnim (Chabad) says it is supposed to sound: Trop for normal laining: http://www.770live.com/En770/nigunim/nigunPlay.asp?nigunId=Dovid_Hurwitz/172.rm&gif=172 Trop for Megillas Ester: http://www.770live.com/En770/nigunim/nigunPlay.asp?nigunId=Dovid_Hurwitz/175.rm&gif=175 |
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Karnei Farah - according to Minhag Askhenaz - is Pazer, Telisha Ketana and Telisha Gedolah together (meaning one after another). I don't have the source for that though - I heard it from a local Rav and then from a Ba'al Koreh. As for Yerach Ben Yomo, I try to imitate the guy at http://bible.ort.org/books/cant4.asp since my teacher never taught me that one. http://taamim.org/ has the Sephardic Ta'amim. |
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Here's wikimedia's version. Listen from about 41 seconds. Is it just me, or does it remind you of the 1812 Overture? "Alpayim Ba'amah ... <CANNON BOOM!!>" |
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Ish Masliah Tikun Korim (these Halachot were written by HaRosh Yeshiva HaRav Meir Mazuz Shalit"a): Karne Para sounds like Pazer Gadol. Yareh Ben Yomo sounds like Shofar Holech. |
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